Jeremy Judge and I have just reached the end of our project exploring the inquiry question ‘can our maths help Stratford decide if 3 new concrete factories are too dirty?’ The answer, it transpires is yes, yes it can! 14 weeks of risky, challenging and exciting exploration later, with multiple dead-ends, some serious writing graft and one powerful algebraic model, and the big news is that the LLDC have asked the concrete company to withdraw their application!
This project was, as written about in my first blog, in part, an experiment in truly authentic learning. We took a real world problem that was yet to be solved (hitting the top of our self-styled authenticity hierarchy) and set about solving it live, in real time with our students, together as one 16-strong team.
As I reflect on this project and its successes and limitations, I’m thinking about the lessons we have learnt from it that should inform our future practice. They seem to fall under 5 key learnings:
- that planning = patience;
- that we should embrace uncertainty but control the controllables;
- that we must get comfortable in the uncomfortable (and why we should all teach maths…!);
- that meaningful assessment is about the future not the past;
- and that true purpose can kill a checklist of project ingredients.
If you want to see our full project reflection, feel free to have a read here.
1. Planning = patience
The whole process, start to finish went through what School21 colleague Mark Blundell calls the ‘double diamond’, a 4 stage of process that goes through two rounds of divergent and convergent thinking as it moves from initial ideas to delivery.
The equal weighting of these sections on this diagram is somewhat misleading; they are certainly not equally chunked sections of the planning process, or indeed necessarily linear. For me, the ‘discover’ and ‘define’ elements are a constant ongoing exploration (I literally bank ideas, products, opportunities etc and then wait for the perfect storm of learning, authenticity and purpose) and for Jeremy and I with this project, this was around 3 months of patient waiting and spirited arguing.
Once we defined our idea, the sudden flurry of action kicked off with the ‘develop’ phase in the half term leading up to the project launch. It was here that we focused around the project design and put in the serious planning. Here you can see the outcome of this stage, the planning overview behind our project – this original plan was tuned by a group of school staff initially and then by the class themselves before the project began. To get to this though, it was certainly worth the slow, lengthy ‘fishing’ process of the first 2 sections – the sort of ‘waiting by the pond’ for the perfect bite.
2. Embrace uncertainty but control the controllables
Our timeline document gives the very false impression that this project was clearly structured from the off. It was in truth a constantly changing beast with shifting goalposts beyond our control, constant dead-ends and false starts, and the document as it stands was created very much by the day.
In fact, this project’s authenticity meant a required flexibility of timeline and direction of learning that I haven’t dealt with before (as I blogged about in December). Despite the unknowns, Jeremy and I wanted real rigour of significant content and assessment, and had to very much hold each other to account throughout for our subject ‘non-negotiables’ that we had pre-identified. The changing nature of the planning process, client vs teacher rub and open problem threw numerous challenges against this and at times we were pulled or tempted away from our desired line of learning. However, we assessed each challenge under our clear design principle of being true to our subject content; if it didn’t develop non-fiction writing, algebraic skills or graph interpretation, we (mostly) didn’t do it.
So for all the things out of our control, we had to focus on what we could control: to control the controllables. For us, the controllables were mainly defined by a narrow, clear product and project brief; we were working to create a mathematical report into the impact of the proposed factories on air pollution in Newham. This product wouldn’t display all the learning that had taken place, but all the learning would be designed to create and improve the product. This I believe is a key design principle of good PBL. For me as the English teacher in real terms this meant:
- Rigorous development of voice and purpose in non-fiction writing and sentence control through mastery exercises (as written about in my most recent blog) and the use of shared writing as a norm.
- Constant building of the skills required to comprehend challenging non-fiction. For this we used a range of newspaper articles on the project and the project’s grounding text, picked for it for its value as a model and for significant content and as a style/tone guide.
- Growth of tier 2 vocabulary via weekly robust vocabulary sessions to benefit students for this project and beyond.
The other thing that helped with our control amidst the uncertainty was ensuring absolute clarity of role; we were purely the report generators, exploring the facts, analysing the data and interpreting and explaining it clearly. It also helped that we were working as a parts of a much wider edifice of people, each with a specific and genuine role in the project. For example, James Durrant of the OPCRD was our client spokesperson, Terry Paul our voice in the local council, Elsa Aristodemou our mathematician providing advanced models, Emilia Papadopoulos the BBC presenter reporting on our work; all of these people were not brought in inauthentically to help out, but were carrying out their actual jobs and roles around us, meaning we could be entirely, authentically, air pollution impact report writers. This importance of clarity of role is something that I think we must take forward into future projects.
3. Get comfortable in the uncomfortable: we should all teach maths
One of the things Jeremy and I have done throughout this project to ensure support, accountability and growth is to team teach/observe and feedback on one lesson a week each – so every other Wednesday Jeremy joined an English session and each other Thursday I joined his maths class. This began as observations, with feedback on our chosen students or craft area given in our weekly meeting, but over time morphed into team teaching, which brilliantly blurred the lines between our content.
We reflected the other week on how we had maintained this routine throughout the project with (genuinely!) no sense of loss of time or feeling we had other things to do – in reality it means the removal of between 2 and 3 free periods a week each. I think this is due to our genuine investment in each other’s practice and growth. It really matters to Jeremy that my practice around robust vocabulary teaching for example is improving as we need students to thoroughly understand mathematical words like ‘assume’ or ‘vary’, and it seriously matters to me that Jeremy is thinking about the most effective ways to use talk in his lessons to ensure students are adept at verbalising what their graphs show.
Interestingly, aside of the obvious advantages of team teaching, with feedback and learning through osmosis, there are also a powerful side benefit in being forced into the discomfort of teaching another subject. It was in attempting to teach maths that I suddenly found myself completely out of my comfort zone with my pedagogy. I think (though I am as yet unable to clearly articulate the what and why of this thought…) that there is something in this for our teaching. I suddenly couldn’t rely on my subject knowledge to be able to teach something and instead had to wrestle more deeply with the why behind students’ misunderstandings or confusion. I started noticing links between missing skills or misunderstandings in student’s conceptual understanding and really thinking about the barriers and blocks that stood in the way of progress.
4. Assess for the future, not the past
Of course, it is not the final product in a project that provides any form of useful assessment; in this case, it’s a group created outcome, which has gone through 5 drafts and is not (and should not be) reflective of all the learning or all the assessable skills/content. I see it instead as a narrow slice of the learning, useful to the world as it’s genuine purpose intended, but useful to us purely as a teaching tool (much of the writing learning for example, came through critique and redraft of this document).
Instead, we assessed with a triangulated combination of ongoing class assessment, cold assessment of reading and writing at the end of the term and verbal viva style ‘story of learning’ assessments. This leaves us with a combination of narrative assessment comments and hard data, and a forensic understanding of their learning. These verbal assessments are my favourite part of each project – a 10 minute one-on-one conversation which reveals so much truth behind each student’s feeling and progress, which data alone cannot reveal. In the past these have uncovered shaky understanding where the data implied solid growth, unexpected misconceptions, and sometimes progress that has gone unnoticed elsewhere. As we hone this practice, I think we now need to decide a) when is the ideal time to have these assessments so that we can identify and respond to gaps early b) what are the right questions to ask in this viva assessments to inform future practice and c) how do we ensure this knowledge is fully used for future planning/future teachers of the group.
5. True purpose can kill
Fascinatingly, the huge real world success of our project also led to the death of certain elements of ‘gold standard’ PBL, most notably exhibition. I haven’t yet decided if this matters or not. Our intended ‘exhibition’ was the presentation of the report at the LLDC’s planning committee meeting, however, this was swiftly cancelled when the students’ TV appearance and power of the public campaign led the LLDC to withdraw the plans before the meeting.
The abrupt end of the project left us with an interesting uncertainty; do we plough on and provide some form of exhibition for the students or end it there? We sort of chose both and neither, leaving an odd sense of loss for all involved! But its interesting to step back and notice the complete loss of purpose for both staff and students once the true purpose had been achieved – perhaps we didn’t need the exhibition because we didn’t need the motivation. The question that I feel remains is without public exhibition, how do we achieve the student accountability and testimony that this provides, and does this matter? Certainly something to consider.
Overall, the resonating impact for me (other than that on their writing) was on our students’ sense of self-efficacy and pride, and this is what the authentic purpose of this project brought about. This was put most succinctly by one student who is her story of learning assessment said: ‘I am proud of the fact that we are not having the concrete factories in Stratford. That makes me feel like I have had a good impact on the area I am living in.’